Introduction

Martiros extraordinary abilities as an artist became evident in his early childhood, but his paintings were exhibited only after his 11th birthday. As a child he was absorbed with classical painting. He loved to wander about galleries and museums, gazing at pictures, and contemplating. Albums of great artists because his everyday books. Works of Grand Masters were teaching, educating, sparking even more enthusiasm; and by the same token, causing an irresistible urge for competition within his anxious soul. Competition would bring victory to the outrageous youth who had launched into the endless sea of art. That victory could eventually bring him the right to be called the best artist of his time. “The Great Masters have been my teachers.” Recites Martiros. “Often I turn to their works. I am amazed by their technique and stunned by their ability to resolve tasks. I admire how they represent the feeling and the basis for great art. I have many artists of choice. I can hardly separate one from the bouquet: the ab-sence of a single flower would be a great loss. I would like to have Girodet’slight, Ingre’s line, Picasso’s courage and Chagall’s colors.”